Stereographic photograph of the Australian Museum
Object No. 87/1019-8
This photograph of the Australian Museum was published by William Hetzer in more than one set of stereoviews. Thus although the card was physically printed between 1860 and 1863 it is likely that photograph was taken earlier, probably between 1858 and 1860. In 1850 William Hetzer arrived in Sydney, with his wife Thekla, where they immediately set up a photographic studio at 15 Hunter Street. Hetzer initially specisalised in calotypes but soon adopted the new collodion based positive/negative processes, like the ambrotype and albumen prints, which were appearing in the early 1850s. In 1858 Hetzer embarked on what is now his best known enterprise, the publication of a set of 36 albumen prints taken with a stereo-view camera. The success of the first series encouraged Hetzer to keep publishing Sydney views and by 1859 he had over a 60 different views. Hetzer's views of Sydney - "... its harbour, principal buildings, streets and neighbouring scenery, &c." were among the earliest outdoor photographs taken in Sydney. The sets sold well and Hetzer continued to publish sets of stereo-views of Sydney and its harbour, right up until 1863. In 1867, Hetzer left Australia and returned to England, auctioning off his photographic equipment, and about 3500 registered negatives, to the photographer Joseph Degotardi. For more information please see attached Powerhouse Museum Theme, 'Early Photographs of Sydney by William Hetzer.' Geoff Barker, Curatorial, October 2008
Loading...
Summary
Object Statement
Photograph (1 of 16), albumen print, mounted stereoview of the Australian Museum, paper / albumen / silver / ink, photographed and published by William Hetzer, Sydney, New South Wales, Australia, 1860-1863
Physical Description
Photographic print, mounted stereoview of the Australian Museum College Street Sydney, paper / albumen / silver / ink, published by William Hetzer, Sydney, New South Wales, Australia, 1860-1863 A stereoview photographic print consisting of two black and white images that have been taken simultaneously. The prints have been mounted next to one another on a card. The images show a sandstone building featuring two ornate columns around the entrance. Trees can be seen surrounding the building. A woman and a man can be seen walking down the footpath in the foreground of the image. An oval shaped trademark can be seen impressed into the front of the mount to the right of the images. There is handwritten text on the back of the mount.
DIMENSIONS
Width
175 mm
PRODUCTION
Notes
A stereo photograph is comprising two photographs, one taken as the left eye sees the view and another slightly offset as the right eye would see a view. These photographs are mounted on a card which is then fitted into a viewer. The viewer allows the brain to superimpose the two images, imitating the three dimensional stereovision of the human eye. Stereo photographs are essentially the combination of two inventions of the 1830s. Sir Charles Wheatstone announced the first of these in 1838; it was an optical viewer that could combine two specially developed three-dimensional drawings that took into account the slight variation between the right and the left eye. The second occurred in 1839 when two different photographic processes, the 'daguerreotype' by Louis Daguerre and the 'Talbotype' or 'Calotype' by Henry Fox Talbot, were announced to the world. In the 1840s Sir Charles Wheatstone began experimenting with Talbot's process which enabled him to place two slightly offset photographic images in his viewer. The success of these experiments inspired a Scotsman, Sir David Brewster, to announce in 1849 his modification of the stereo format, a portable viewing device called a lenticular stereoscope. It was Brewster's stereoscope which defined the standard for the new format and which was popularised from the early 1850s. Geoff Barker, August 2009. References William Darrah, 'The World of Stereographs', W. Darrah, 1997 Helmut and Alison Gernsheim, 'The History of Photography', Thames and Hudson, 1955, 253
SOURCE
Acquisition Date
6 August 1940
Copyright for the above image is held by the Powerhouse and may be subject to third-party copyright restrictions. Please submit an Image Licensing Enquiry for information regarding reproduction, copyright and fees. Text is released under Attribution-Non Commercial-No Derivative licence.
Image Licensing Enquiry
Object Enquiry