POWERHOUSE COLLECTION

Jug from James King's Irrawang Pottery

Object No. 2011/8/1

This jug from James King's Irrawang Pottery (Raymond Terrace near Newcastle) is the one of the few complete vessels, and the only relief-decorated jug, to have survived from that pottery. It joins the Powerhouse Museum's salt-glazed demijohn (96/132/1) and earthenware carafe (99/18/1). The clay output from Irrawang ranks among the earliest produced in Australia. In 1834, a year after the establishment of the pottery, King announced in the Sydney Morning Herald that 'I intend to manufacture only such coarse bulky articles as the mere price of the freight from England has hitherto excluded from the colony.' Everyday items had to be more competitively priced than the finer prestigious wares imported from Britain for which people were prepared to pay a higher price. Over the course of 18 years' production at Irrawang, King continued to experiment and improve the company's output, employing experienced potters, and importing moulds and glazes from Staffordshire, England (Ford 1995: 26). An 1844 advert in the Sydney Morning Herald detailed, 'The undersigned having recently procured from Staffordshire moulds of modern shapes and approved patterns , together with English material for the composition of a permanent glaze is now enabled to manufacture earthenware on an extensive scale . . .' Among the imported pottery moulds from the Staffordshire potteries in Britain is a jug mentioned in an 1844 editorial in the Sydney Morning Herald that sounds very much like this acquisition, '. . . a jug of a handsome modern pattern, modelled however, after the antiques [that is, ancient pottery]' (20 July 1844 and published in Ford 1995: 26). Paul Donnelly, December 2010 Sources: Geoff Ford, Australian Pottery: The first 100 Years, Salt Glaze Press, 1995 Australian Dictionary of Biography (online) http://www.adb.online.anu.edu.au/biogs/A020050b.htm?hilite=james%3BKing

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Summary

Object Statement

Jug, with relief decoration from Staffordshire mould, salt glazen stoneware, James King, Raymond Terrace, New South Wales, Australia, 1844-1853

Physical Description

Salt glaze jug, in a sandy coloured tone, baggy shape narrowing to spouted rim with ring foot and single handle, body decorated with relief decoration of a 'classical' Greek-style procession including riders mounted on horses surrounded by a joyous crowd blowing trumpets, floral decoration around rim and on handle. Stamped under foot.

DIMENSIONS

Height

180 mm

Width

155 mm

Depth

140 mm

PRODUCTION

Notes

From 1833 to 1852, James King (1796-1857) operated the Irrawang Pottery near Raymond Terrace, north of Newcastle; one of the most successful Australian potteries of the time, it produced wares as varied as wine demijohns, cheese pans, water carafes, ginger beer bottles, and hand basins. King was born in Scotland in 1796, but migrated to Australia at the age of 30; having worked in the glass manufacturing industry, he brought with him a quantity of glass ware and other goods which he used to establish a general store in Sydney. After receiving a land grant north of Newcastle in 1828, he grew wheat and raised cattle on the property which he named Irrawang. In 1832, King initiated a venture which would outlast his pottery business, by planting several acres of grapevines at Irrawang; the following year saw the first attempts at pottery, but poor-quality clays initially hindered the manufacturing process. Once this was surmounted, King set out to manufacture pottery items which were too large or utilitarian to be imported from Britain cost-effectively. Despite the constant need for skilled potters, King's pottery was well-received and was described in the 'Maitland Mercury' as "as well made as any we ever saw". King employed English-trained potters, both free and ticket-of-leave, and from 1844 used many moulds for his wide range of wares, imported from England. At the same time, King's winery also saw success, with demand for the Irrawang wine (sold in stoneware demijohns made at King's own pottery) exceeding production. King won a silver medal (first class) for his wines at the exhibition of 'Natural & Industrial Products of New South Wales' held at the Australian Museum in 1854. As was the case with many businesses of the time, the advent of the goldrush from 1851 was disastrous for the Irrawang pottery - workmen left their jobs for a chance at easy wealth in the goldfields of Victoria, and the high cost of labour and transportation meant that the pottery was no longer profitable. The pottery concluded its manufacturing activities in 1853, but King and his pottery were chosen to represent to represent New South Wales at the Paris Exhibition in 1855. In the same year, despite his winery remaining profitable, King retired and returned to England where he died in 1857, survived by his wife and son. Made in local stoneware clay at the Irrawang Pottery, NSW. In the 1970s an important archaeological excavation was made of the site, led by Judy Birmingham from the University of Sydney. The whereabouts of the site had been correctly speculated by historian Kevin Fahy. Birmingham notes (Aust Antique Collector, 16, 1975) that King brought clays from Stroud and Maitland, and used clay from the pottery site for kiln furniture, and that there was difficulty finding clay that fired at a higher temperature. This jug would have been made between 1844 when stoneware appears first to have been used, and about 1853 when the pottery finally closed. Harrison Jones, Paul Donnelly (and previous notes by Grace Cochrane), December 2010 References: Jim Bertouch, 'Kevin Fahy: An interview by Jim Bertouch Part 1', Australiana Society, Vol 32 May, 2010. Ford, G. (1995) Australian Pottery: The First 100 Years. Wodonga: Salt Glaze Press. Graham, M. (1979) Australian Pottery of the 19th and early 20th Century. Sydney: David Ell Press. Geoff Ford: Australian Pottery: the First 100 years, Salt Glaze Press, Wodinga, 1995; This jug was published in Marjorie Graham's 'Australian Pottery of the 19th and early 20th Century', David Ell Press and National Trust of Australia, Sydney, 1979. Judy Birmingham, 'James King's Pottery at Irrawang, NSW', in The Australasian Antique Collector, 16th ed, 1975: 76. Carlin, Scott, Terracotta Australis: Potters and Brickmakers 1833-1981, Newcastle Regional Museum, (undated 1980s); 'Irrawang Australia', catalogue, with essays, published by the Hunter District Water Board, undated [1981?].

HISTORY

Notes

Until 2010 this jug was only known through its publication in Marjorie Graham's 'Australian Pottery of the 19th and early 20th Century' and then assumed to be lost. The donor's sister, Margaret Fromel, is able to tell us that the jug has been in her family since the time of their Grandfather, Jesse Gregson (1837-1919). Gregson superseded Edward Merewether as Superintendent of the Australian Agricultural Company and was stationed near Newcastle from 1875 until his retirement in 1905. He was keen on botany and it could be speculated that he found this jug at the Irrawang site while trekking on a botanical expedition or on company duty. This guess as to its origins is possibly supported by the lack of detailing in the moulded decoration suggesting it was a waster discarded (but not broken) after firing. Alternately he may have purchased it as old stock in the local area. Much of Gregson's family life had been centered on his home, 'Rimont' built in 1880 at Mount Wilson in the Blue Mountains where the family summered each year from December to April and Gregson pursued his amateur but informed interest in botany. Geoff Ford (personal communication) has relayed Marjorie Graham's version of the jug's more recent history and its 'discovery'. In the 1970s Marjorie was in Katoomba and in conversation with a local there (possibly Mrs Fromel) she was told about a jug stamped Irrawang on the base. She went to the house where the jug was in the garden housing a plant. She just managed to quickly take some photographs (which were published in Graham's and then Ford's books) before having to hurriedly leave the property. Marjorie returned a few years later to find the whole property levelled and assumed the jug had suffered the same fate. However, it unexpectedly surfaced in 2010 when the Museum was offered the jug by Mrs Helen Warliker (nee Gregson) of Kilcare on the Central Coast (north of Sydney) with her sister, Mrs Fromel, acting as agent on her behalf. Sources Marjorie Graham's 'snatched shots' were published in 'Australian Pottery of the 19th and early 20th Century', David Ell Press and National Trust of Australia, Sydney, 1979: 11. Robin Gollan, 'Gregson, Jesse (1837 - 1919)', Australian Dictionary of Biography, Volume 4, Melbourne University Press, 1972, pp 296-297. http://www.adb.online.anu.edu.au/biogs/A040335b.htm?hilite=Edward%3BGregson

SOURCE

Credit Line

Gift of Mrs Helen Warliker, 2011

Acquisition Date

11 January 2011

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