POWERHOUSE COLLECTION

Treble (alto) recorder made by Fred Morgan

Treble (alto) recorder made by Fred Morgan

Object No. 2007/204/1

Fred Morgan is regarded internationally as one of the world's great recorder makers. His instruments are renowned for their quality and craftsmanship and played by many of the world's leading recorder players. This instrument is particularly significant as it is from Morgan's early period of making and was also played by Morgan who was an accomplished recorder player in his own right. The recorder was given by Fred Morgan to harpsichord maker Bill Bright and was used by Morgan when visiting Bright, who played another Morgan instrument he bought from the maker in 1977. Both instruments use an early recorder pitch of 410hz so they can be played together. This is another distinctive characteristic of this instrument as it is more common for modern recorders used in early music to be pitched at 415hz so they can be used in ensembles with other similarly pitched instruments. Born in Melbourne, Australia in 1940 Morgan began playing the recorder at age twelve. In 1959 he began working for the Pan Recorder Company which made recorders for schools, working there until 1969. During the 1960s he played both as a soloist and ensemble member in a variety of performances in Melbourne and formed The Frederick Morgan Recorder Consort. In 1970 he won a Churchill Fellowship to study "Recorder Manufacture and Usage" in Europe, making drawings of instruments in museums and private collections and meeting internationally acclaimed recorder virtuoso Frans Bruggen. Soon after he also worked for a couple of months at the von Huene recorder workshop in Boston, USA then returned to Australia, perfecting his designs and selling his first instruments in 1972. In 1979 Morgan established a workshop in Amsterdam but returned to Australia in 1982 to continue working in Daylesford, Victoria. Morgan's reputation grew throughout the 1980s and 1990s making a range of recorders including the early Ganassi type. He published numerous articles about the recorder for the Victorian Recorder Guild and in the international music journal, Early Music. In 1981 he released a folio of drawings of instruments in the collection of Frans Bruggen. A greatly talented instrument maker and player, Fred Morgan was sadly killed in a car crash in 1999. (For further information see: "Obituary - Frederick G. Morgan - Recorder Maker" by Rodney Waterman, Melbourne Age, 29/4/1999, p.24. Michael Atherton, Australian Made...Australian Played, UNSW Press, Sydney, 1990 pp180-185). Michael Lea Curator, music & musical instruments November, 2007

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Summary

Object Statement

Recorder, treble (alto), rosewood, made by Fred Morgan, Melbourne, Victoria, Australia, 1971

Physical Description

Treble (alto) recorder made from rosewood (palisander), which is a copy of an instrument by Bressan, pitched at 410 hz. The recorder consists of three sections with a head joint, middle joint (body) and foot joint. The head joint contains a mouthpiece, while the body has six finger holes on front and a thumb hole on back. The foot includes a double hole and a single hole which has been plugged. The head joint is lightly imprinted with the Bressan stamp on front and a maker's mark on back.

DIMENSIONS

Diameter

45 mm

PRODUCTION

Notes

The recorder was made by Fred Morgan when he had first established himself as an independent maker, but was yet to actually offer his instruments for sale to the public. According to an interview with Morgan by Michael Atherton in his book Australian Made...Australian Played (UNSW Press, Sydney 1990 p.182), Morgan did not begin selling his instruments until March or April 1972. This recorder, possibly completed in 1971, was made after Morgan's return to Australia from an overseas trip on a Churchill Fellowship, where he met Frans Bruggen and was able to draw and measure his private collection as well as collections in several European museums. According to the vendor, this is the first instrument Morgan made with a curved windway.

SOURCE

Credit Line

Purchased with the assistance of the E A & V I Crome Bequest and the supporters of the Powerhouse Museum Foundation and the Pinchgut Opera, 2007

Acquisition Date

7 December 2007

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