POWERHOUSE COLLECTION

Glass plate negative, 'Cootamundra Railway Disaster, N.S.W.' by Henry King

Glass plate negative, 'Cootamundra Railway Disaster, N.S.W.' by Henry King

Object No. 85/1285-502

This photograph shows the aftermath of one of Australia's worst rail disasters of the 19th century. The accident occurred in the early hours of the morning of 25 January 1885 about five kms south of Cootamundra. The train had left from Albury and was fully laden with mail and passengers, many of them travelling to Sydney to attend the Randwick races the following day. It had been raining heavily for several days throughout southern NSW and the embankment supporting the rail line over Salt Clay Creek had collapsed and washed away, leaving only the unsupported tracks. As the Australian Town and Country Journal reported, "This left a very large gap, about 50yd wide and about 9ft deep, and into it the mail train dashed. Attempts to warn the driver had proved futile. Eight people died and 20 were seriously injured. The Kerang Times and Swan Hill Gazette reported the gruesome discovery of a head "stuffed under the cushions". The North Eastern Ensign described the aftermath: "The spot at which the accident occurred is situated so far in the bush from any road that it was found to be a very arduous task to bring proper aid to the sufferers, or to remove them to Cootamundra and other places, where preparations could be made to receive them. These circumstances rendered an otherwise terrible catastrophe still more heart rending, as the poor victims of the smash were obliged to lie for hours under the pitiless rain which seems to have fallen in abnormal volume". It is intriguing how a photographer from the Henry King studio in Sydney came to be on the scene at what appears to be a very early stage of the salvage operation. Perhaps he was on the train. The fate of the locomotive is unknown but was said to have fractured its boiler in the accident. It appears to be No 31 and is one of the G23 Class, a 2-4-0 passenger type engine used by the NSW Government Railways. This photographic negative is part of a collection of over 1300 glass plates taken between 1880 and 1917, although most appear to have been made in the late 1880s and 1890s King was one of the Colony's most significant early photographers and although born in England around 1855 grew up in Sydney. He found work with the well-known Sydney photographer J. Hubert Newman and in 1880 established a studio in partnership with William Slade. Four years later he was sole proprietor. King quickly established a reputation for himself due to the high quality of his finished work. While King's income, like many other photographers, was dependent on portraiture he, like Kerry, is best known for his outdoor work. These views, particularly his city views, are justifiably praised and seem more carefully framed and printed than Kerry's. Outdoor views of Sydney make up the main bulk of King's work in the collection although, like Kerry, he took a series of photographs of the Jenolan Caves using magnesium flares. Henry King died aged 68 in Waverley War Memorial Hospital on 22 May 1923 following abdominal surgery Geoff Barker, Curatorial, December, 2008 References: King, Richard, Australian Dictionary of Biography - Online Edition Josef Lebovic, Henry King, 1855 - 1923, auction catalogue, Josef Lebovic Gallery, Paddington, Australia, date unknown Newton, Gael, Shades of Light; Photography and Australia 1839 - 1988, Australian National Gallery, Canberra, 1988 McGregor, Alastair, A Nation in the Making, Australia at the dawn of the modern era, Australian Geographic

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Summary

Object Statement

Glass plate negative, full plate, 'Cootamundra Railway Disaster, N.S.W.', Henry King, Sydney, Australia, 1885

Physical Description

Glass negative, full plate, 'Cootamundra Railway Disaster, N.S.W.', Henry King, Sydney, Australia, 1885. Silver gelatin dry plate glass negative in landscape format. The caption, studio number and studio mark are inscribed on the reverse of the negative. The negative is not fully catalogued. 39/36 Tyrrell Inventory Number, 641 King Studio Number

DIMENSIONS

Width

215 mm

PRODUCTION

Notes

Henry King became sole proprietor of a photographic studio in George Street in 1880. Henry King's studio closed around 1900 and Charles Kerry acquired some of his negatives.

HISTORY

Notes

This photograph is one of 1334 Henry King photographs which are also part of a larger collection of 7,900 negatives once owned by Sydney bookseller, James Tyrrell. After King's death in 1923 the studio collection of glass negatives was purchased by Tyrrell. In addition to the Henry King images, the Tyrrell Collection at the Powerhouse Museum includes glass plate negatives published by Kerry & Co. Studio and a number of other negatives by unattributed photographers. James Tyrrell used the images by Kerry & Co. and Henry King to produce his own booklets and views of New South Wales but although full of iconic Australian images, the collection does not appear to have been fully utilised by Tyrrell. The photographic collection acquired by Tyrrell was purchased by Australian Consolidated Press and its new owners almost immediately set about producing a limited series of complete sets of contact prints of the collection for libraries and museums in New South Wales. Housed in boxes copies of these were given to the State Library of New South Wales and the Macleay Museum at the University of Sydney. In 1985 Australian Consolidated Press donated the collection to the Powerhouse Museum. The collection at this time consisted of 7,903 glass plate negatives and 7,916 contact positive prints. Of these 493 glass plates were damaged but usable and 13 plates totally broken. Geoff Barker, Curatorial, December, 2008

SOURCE

Credit Line

Gift of Australian Consolidated Press under the Taxation Incentives for the Arts Scheme, 1985

Acquisition Date

19 July 1985

Copyright for the above image is held by the Powerhouse and may be subject to third-party copyright restrictions. Please submit an Image Licensing Enquiry for information regarding reproduction, copyright and fees. Text is released under Attribution-Non Commercial-No Derivative licence.

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