POWERHOUSE COLLECTION

'Her Majesty's Mails Arriving at Kiandra' by Kerry and Co

'Her Majesty's Mails Arriving at Kiandra' by Kerry and Co

Object No. 85/1284-1232

This photographic negative was published by the Sydney firm Charles Kerry & Co. and is part of the Powerhouse Museum's Tyrrell collection which contains over 2,900 glass plate negatives by Kerry & Co. Although a few appear to be from the 1880s most were produced between 1892 and 1917. Over this period, and well into the early 1900s, prints from these negatives appeared in many Australian publications and albums of views. In 1903 the company began producing postcards from these negatives, further establishing the images as some of the most significant and best known early views of New South Wales. Some of the more significant themes covered by the collection include; views of New South Wales, Queensland, country towns, Sydney, Indigenous Australians, the South Pacific, rural life, native flora and fauna, and sentimental views. In addition a number of significant events from the 1900s are covered by the collection including; embarkation of troops for the Boer War, Hordens fire, the Inauguration of the Commonwealth in 1901, the arrival of the Great White Fleet and the Burns verses Johnson boxing match at Rushcutters Bay in 1908. Geoff Barker, Curatorial, January, 2009 References Newton, Gael, Shades of Light; Photography and Australia 1839 - 1988, Australian National Gallery, Canberra, 1988 David, Millar, Charles Kerry's Federation Australia, Sydney, David Ell Press, 1981 Tyrrell, James, Australian Aboriginal and South Sea Islands Implements, Weapons and Curios, James Tyrrell, Sydney, 1929 Skiing and Kiandra The dominant images of Australia's nature and culture tend to revolve around beaches, farmland, deserts and rainforest. However in the Snowy Mountains, an alpine region in the south-eastern corner of the mainland, snow and skiing have been an intricate part of the local communities since the middle of the 19th century. Skiing in Australia began in the New South Wales town of Kiandra, established as a gold mining settlement high in the Snowy Mountains in 1859. In winter snowbound locals made simple snowshoes - lengths of wood - in order to negotiate the snow. Today we call these skis. The 'Sydney Morning Herald' reported on the novel amusement of 'sliding' on snowshoes at Kiandra as early as 1861. By the 1880s Kiandra residents, among whom there were many Chinese, formed the Kiandra Snowshoe Club. Sports days with races and snow jumping were organised and the town became an annual event. These sports were recorded on glass plate negative by the renowned Sydney-based photographer Charles Kerry in 1896. Shortly after Kiandra came to be promoted by the New South Wales Government Tourist Bureau as for city tourists keen to experience snow and skiing. The story of skiing is also intrinsically linked to the history of cultural diversity in Australia. The community of Kiandra was already ethnically diverse by the end of the 19th century. Colonists of Anglo-celtic descent lived alongside others from Europe, the Middle East, Asia and their descendants. Most, if not all, participated in skiing. For example Maggie Wilson, the Australian-born daughter of Chinese miner and shopkeeper Tommy Ah Yan, became the first recognised Australian woman ski champion in the early 20th century. By that time Maggie Wilson and others were using snowshoes or skis fashioned from local mountain ash timber with a turn-up at the front, as opposed to the flat 'butter pat' style snow shoe used in the 1860s. It is thought that the technique for achieving the turn-up was introduced to the area by Norwegian immigrant Martin Amundsen. Amundsen was the cousin of Raold Amundsen, who would later become the first man to reach the South Pole. Martin allegedly jumped ship on the South Coast of New South Wales and made his way to Kiandra in the early 1880s. There he became involved in the local mining industry. From his home province of Telemark in Norway, he also brought the knowledge of air seasoning timber for skis. To Amundsen, therefore, can be attributed the single-handed transfer of a technology that facilitated the development of the local ski culture, tourism and manufacturing industry. The museum also holds in its collection a pair of show shoes (skis) D4362, donated in 1895 and believed to have been used by the Post Master General's department. (added by K. Hackett 28 June 2023, adapted from SoS for D4362, author unknown)

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Summary

Object Statement

Glass plate negative, full plate, 'Her Majesty's Mails Arriving at Kiandra', Kerry and Co, Sydney, Australia, c. 1884-1917

Physical Description

Glass negative, full plate, 'Her Majesty's Mails Arriving at Kiandra', Kerry and Co, Sydney, Australia, c. 1884-1917. Silver gelatin dry plate glass negative in landscape format. The caption, studio number and studio mark are inscribed on the reverse of the negative. The negative is not fully catalogued. 67/19 Tyrrell Inventory Number, 2359 Kerry Studio Number

DIMENSIONS

Width

215 mm

PRODUCTION

Notes

Charles Kerry was born in 1858 and by 1885 was running a studio in partnership with C. D. Jones. This partnership lasted until 1892, when Charles became sole owner and changed the studio's name to Kerry and Co. By 1890 the company was employing a number of photographers who would become famous in their own right. George Bell who covered rural New South Wales was employed in 1890 and Harold Bradley was doing outdoor work and covering events around Sydney by 1899. Kerry continued to work in the field and in 1895 he took photographs of Royal National Park for New South Wales Government, photographed Queensland artesian bores and was employed by the New South Wales Government to travel the state and photograph Indigenous Australians. In 1897 Kerry led the first party to reach the summit of Mt Kosciuszko in winter conditions and photographed the Jenolan caves. By 1900 Kerry had turned his studio into one of the largest and most respected photographic establishments in the colony. His new four story premises at 310 George St were designed by the architect H. C. Kent and the third floor studios alone could accommodate 70 people wanting their portraits taken. In 1913 Kerry retired leaving the running of the studio to his nephew, unfortunately the business did not do well and Kerry and Co. closed its doors in 1917. Kerry himself died in 1928. Geoff Barker, Curatorial, January, 2009 References Newton, Gael, Shades of Light; Photography and Australia 1839 - 1988, Australian National Gallery, Canberra, 1988 David, Millar, Charles Kerry's Federation Australia, Sydney, David Ell Press, 1981 Tyrrell, James, Australian Aboriginal and South Sea Islands Implements, Weapons and Curios, James Tyrrell, Sydney, 1929

HISTORY

Notes

This photographic negative is one of 2900 Kerry & Co. photographs in the Powerhouse Museum's 'Tyrrell Collection' once owned by Sydney bookseller, James Tyrrell. Almost all of these negatives are 21.5 x 20.3 cm (10 x 8 inch) glass plates and many of those now held by the Powerhouse Museum collection would have been used to create postcards. In addition to the Kerry & Co. Studio images, the Tyrrell Collection at the Powerhouse Museum includes glass plate negatives published by Henry King and a number of other negatives by unattributed photographers James Tyrrell used the images by Kerry & Co. and Henry King to produce his own booklets and views of New South Wales but although full of iconic Australian images, the collection does not appear to have been fully utilised by Tyrrell. In 1980 the collection was purchased by Australian Consolidated Press who published a limited series of 2000 contact prints from the collection. Housed in boxes copies of these were given to the State Library of New South Wales and the Macleay Museum at the University of Sydney. In 1985 Australian Consolidated Press donated the collection to the Powerhouse keeping a set of copy prints for themselves. The collection at this time consisted of 7,903 glass plate negatives and 7,916 contact positive prints. A further 2,500 Kerry & Co. negatives are held in the Macleay Museum at the University of Sydney, although these do not appear to have been acquired from Charles Kerry and Co. by Tyrrell. Geoff Barker, Curatorial, January, 2009 References Newton, Gael, Shades of Light; Photography and Australia 1839 - 1988, Australian National Gallery, Canberra, 1988 David, Millar, Charles Kerry's Federation Australia, Sydney, David Ell Press, 1981 Tyrrell, James, Australian Aboriginal and South Sea Islands Implements, Weapons and Curios, James Tyrrell, Sydney, 1929 The man in the photograph is identified as Mr Bob Hughes Snr. in the book 'Historic Kiandra' published by the Cooma Monaro Historical Society in 1959, ISBN 09500903 1 X (K. Hackett 11 July 2024)

SOURCE

Acquisition Date

19 July 1985

Copyright for the above image is held by the Powerhouse and may be subject to third-party copyright restrictions. Please submit an Image Licensing Enquiry for information regarding reproduction, copyright and fees. Text is released under Attribution-Non Commercial-No Derivative licence.

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