POWERHOUSE COLLECTION

Blackwood-framed standing mirror

Object No. H7751

This mirror with carved wooden stand is a modern adaptation of an ancient form of Chinese furniture. From at least the time of the Eastern Zhou period (771-256BCE), upper class Chinese used single panel screens made of wood, jade or ivory. These were decorated with many different scenes, including landscapes, flowers, birds and auspicious symbols. Originally, this type of table screen was used to block a straight path, such as an entry in front of a door. According to Chinese folk belief, evil spirits could not walk around corners. Therefore, the stand blocked the straight path through the door, keeping the evil spirits away. Today, Chinese use these screens in even more diverse ways. Its substantial size makes it a striking object for interior decoration. They have also been adapted into mirrors, as demonstrated with this particular example. In this mirror, the wooden base is decorated with auspicious symbols including the 'shou (longevity)' medallion and eight treasures motifs. The 'Eight Immortals' are also carved in the middle panel. The 'Eight Immortals' are a group of legendary Taoist immortals in Chinese mythology. The 'Eight' were originally from the mortal world. Among these include an imperial family member, beggar and Taoist priest. There are interesting stories behind the way each of these became 'Immortal'. Their names are (from left to right) - Cao Guo Jiu, Li Tie Guai, Lan Cai He, Lu Dong Bin, Zhongli Quan, Han Ziang Zi, Zhang Guo Lao and He Xian Gu. The instruments the 'Eight Immortals' are holding, respectively include - a jade tablet of admission to court, a gourd bottle, sword, fan, flute, bamboo tube-drum and a lotus flower. Min-Jung Kim Cuator September 2015

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Summary

Object Statement

Standing mirror, blackwood / glass / lacquer / metal, unknown maker, believed to have been used in the Wanshou si (Temple of Longevity), Peking (Beijing), China, made in China, Qing Dynasty, 1644-1911

Physical Description

Large rectangular mirror in a carved blackwood frame, decorated with low relief carving of medallions, foliage, irises and fruit. The mirror is supported in a carved wooden base. The base is formed with a foot on each side in the shape a lion. From each lion rises an upright that holds one side of the mirror frame. Between the lions are carved panels with decorations of figures and clouds.

DIMENSIONS

Height

2675 mm

Width

1820 mm

Depth

880 mm

PRODUCTION

Notes

The mirror was made in China during the Qing dynasty (1644-1911). It was taken to Australia in 1899 following Boxer Rebellion.

HISTORY

Notes

The mirror is believed to have been taken from the Temple of Longevity / a Thousand Ages (Wanshou si) near the Summer Palace (Yuan ming yuan) in Peking (Beiking), China, during the Boxer Rebellion (1899-1900). The Boxer Rebellion was an uprising against the presence of foreigners in China c. 1900, towards the end of the Qing dynasty.

SOURCE

Credit Line

Gift of the Australian Museum, 1965

Acquisition Date

9 June 1965

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