POWERHOUSE COLLECTION

Violin with case and accessories by Harry Vatiliotis OAM

Object No. 2002/16/1

Harry Vatiliotis OAM is regarded as one of Australia's finest violin makers. His career spans over 40 years and began as a young repairer and maker under AE Smith, who is considered by many to be Australia's finest violin maker to date. Vatiliotis is one of the last makers who was trained by Smith and that is still working professionally. Many other famous Australian makers and repairers have gone through the Smith Workshop and the list reads like a "who's who" of violin making. These makers include Henry Lykke, Charles Clarke, William Dolphin, Lloyd Adams, William Paszek, Kitty Smith, Cedric Clarke and Phillip Burgess. Many of these makers are represented in the Powerhouse Museum's collection and the Vatiliotis instrument maintains this consistency and provides a comprehensive representation of the "Smith School". This violin is being used in a comparative study of two violins both made by Harry Vatiliotis. The Violin Twins project as it is called began as a way of comparing two instruments made as identically as possible by the same maker to observe how they change over time. One violin, commissioned and owned by musician and composer Romano Crivici, is played frequently in various environments. The other instrument commissioned and owned by the Powerhouse Museum is only played once or twice a year and is kept in a relatively stable environment. Tests have been conducted by the University of New South Wales Department of Physics, Music Acoustics Laboratory both on the physical characteristics of the violins during construction and prior to varnishing. Perception tests were also carried out where violinists and audiences were asked to choose which instrument was which based on the way they sounded. Charalambos ‘Harry’ Vatiliotis was awarded an OAM in 2020. An overview of the project and the tests conducted by Dr Ra Inta, Professor Joe Wolfe and Associate Professor John Smith can be viewed through the University of NSW website; http://www.phys.unsw.edu.au/jw/powerhousetwins.html A detailed scientific report was published in Acoustics Australia, April 2005; http://www.phys.unsw.edu.au/jw/reprints/IntaViolin.pdf A Powerhouse Museum blog post commemorates the projects 10th anniversary; http://www.powerhousemuseum.com/collection/blog/?s=vatiliotis Michael Lea, Curator, music & musical instruments, 2002. Updated February 2012.

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Summary

Object Statement

Violin with case and accessories, various materials, original design by Guarneri del Gesu, Italy, 1741, made by Harry Vatiliotis OAM / Texas Instuments Inc, Concord / Dallas, Sydney, New South Wales / Texas, Australia / United States of America, 2001

Physical Description

Violin, case and accessories, spruce / maple / vinyl / metal / fabric, violin made by Harry Vatiliotis OAM, Concord, Sydney, New South Wales, Australia, 2001. Violin with European spruce belly and maple back and ribs. It has a single piece back with straight grain running horizontally across the back. The fine tuner is on the top e string. There is an ebony fingerboard and timber tuning pegs. The carved scroll and neck is made from the one piece of maple. A chin rest is attached. Visible through the sound holes are a label and text written on wood. The case is rectangular and of brown vinyl with zippers and a lockable clasp. There is a plastic handle and adjustable fabric shoulder strap. The interior is lined with yellow velvet. There is space for a violin and a compartment at one end. The violin is secured into the case via a velcro strap. Rectangular yellow velvet cloth lined with yellow fabric. Clear plastic length labelled with manufacturer's name.

PRODUCTION

Notes

The violin was designed and made by Harry Vatiliotis OAM after The Kochanski violin by Guarneri del Gesu of 1741. The violin was made in Concord, New South Wales, Australia, 2001.

HISTORY

Notes

The violin has been used for a comparative study with other violins. Details of this will become available when the results are published. Construction of the violin has been photographed by the museum and the maker. Video footage has also been taken of parts of the making process.

SOURCE

Credit Line

Purchased with funds from the E A & V I Crome Bequest, 2002

Acquisition Date

1 March 2002

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